283 Royalty-Free Audio Tracks for "Morphagene Reel"

Audio of clipping on reel to projector arm.

16 mm moviola, sounds like projector, sound of the tape hitting the reel while playing, end of reel, tape turns around itself, stop machine, recorded with schoeps ms.

Reeling in a fishing reel.

Omnichord reel for morphagene.

They told me it was okay, so i took some time and cut a tiny snippet outta every track and assembled it into a reel for the pleasure of all to mangle.

Ambient reel for makenoise morphagene.

Morphagene reel made with serge modular synthesizer modules. If you use the reel for something, let me know with the #hallucinatoryequipment hashtag on instagram.

A morphagene reel with filtered synth arpeggios.

Modular unplugged. Sounds of the buttons and knobs recorded on zoom h4n.

An old recording of a metal utility rack being raked by another metal piece. I think this was captured with a cheap olympus digital recorder, thus the big noise floor. I was getting some neat percussive sounds modulating in the soundhack morphagene. Feel free to use as you like!.

Some breaks.

Transient sounds formatted for use in make noise morphagene. Recorded with zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

I randomly selected presets from an old korg wavedrum, i think it is the world music edition, i recorded it into the mg and made the cuts with the envelope follower.

Collection of different human voices introducing original nitrate optical sound effects made for hollywood in the 1930s and 40s as digitized by craig smith. Sound effects extracted, these are mostly only the intro voices except for some small overlaps or tails. Sometimes it cuts off or on in the middle of a word but that's just what was available in the optical soundtracks. I plan to use these for a film but thought it might be fun for others to play with. Splice markers added in reaper, optimized for the make noise morphagene tape and microsound synthesizer, just rename the file to mg1 etc. , morphagene’s file-naming convention (but of course you don’t at all need the morphagene to use these).

A reel-to-reel tape being fast-forwarded on a reel-to-reel player.

Created using my eurorack system and formatted for use with the make noise morphagene. Remember to rename the files "mg1. Wav", "mg2. Wav", etc. Before loading them onto the micro sd. Enjoy! :).

Some birds who live in a reverberant chapel inscribed "my words will not perish from the earth", pre-spliced.

Four sounds from listening exercises on the make noise youtube channel. Formatted for use in the make noise morphagene.

The lo-fi mode on the jellyfish by plankton elektronics processed by make noise erbe-verb, elektron analog heat and sputnik modular sprectral processor. 23 slices in total. Normalized.

Reel for the makenoise morphagene. Recordings from the analog studio in den bosch, the netherlands. Old electronic measuring tools used to test rf equipment. Oscillators through a bandpass filter and ring modulation with a lot of feedback. Switching noises. Pure sine. Phase locked loop. Things like that. Enjoy.

This is a ready-to-go morphagene reel with markers for the fantastic make noise module. It contains a bunch of different recordings i made with an iphone and the mixpre iii. Just download, rename to suit a morphagene, and. . . Soouuunnd!.

Spin end sound.

Reeling up a fishing rod.

Morphagene reel with 6 splices. Tribal voice synth drone.

A reel of bowed cymbal sounds for the morphagene.

Voting tally being read aloud for finnish president urho kekkonen.

Captured sounds from a bugbrand modular system for use in the make noise morphagene.

This reel is formatted specifically for use with the "time travel simulation" technique seen at https://youtu. Be/1nqemcvv2xo. Each (short) splice is recorded only on the left channel, so that it can be processed and then re-recorded into the right channel without interference. See the video for full details. Sound: transient sounds formatted for use in make noise morphagene. Recorded by mike johnson of the make noise crew, using zoom h4n in a kichen, then processed in ableton live. There are a few drum transients from a recording session as well.

2 long sounds of washing-machine. Use as drones.

Bell like sound for morphagene. 4 splices with increasing number of hits.

Created and formatted for use in the make noise morphagene. Using my modular system to create different sounds, recorded by mn morphagene.

Pequeña captura de un paisaje nocturno cercano al mar con un sistema m/s de schoeps. Small capture of a night landscape near the sea with an m / s technique and schoeps microphones.

Recorded from kontact various strikes all in the key of c, spliced in adobe audition.

Suddenly becomes apparent where you are. . .

Dark mysteron drone recorded into the morphagene.

Created using my eurorack system and formatted for use with the make noise morphagene. Remember to rename the files "mg1. Wav", "mg2. Wav", etc. Before loading them onto the micro sd. Enjoy! :).

Created and formatted for use in the make noise morphagene, 22th december 2014 i was at the top of the active craters to record the sound of etna.

Hey everyone,. Thanks for everything now and throughout the past couple years. I appreciate you all!. Support me : https://bit. Ly/rkb07. Made & edited in fl studio 20 & pro tools 12.

Formatted for use in the make noise morphagene eurorack module. These recordings were taken from 28 self generating custom unit patches i designed on the er301 eurorack module called autogen301. The sounds have elements of glitch, church organs, melodic phrases, zaps, abstract clicks and alien sounds inspired by buchla, serge and ciat lonbarde instruments. For users of the er301, the complete custom patches can be freely downloaded and edited as well as viewing instagram videos of the patch sounds here - https://forum. Orthogonaldevices. Com/t/autogen301-a-collection-of-self-generating-custom-units/1959/72?u=mudloggeri record music as "mudlogger" using buchla easel/200e, serge 4u and eurorack instruments and as "hoan kiem chess team" using ciat lonbarde instruments. Https://mudlogger. Bandcamp. Comhttps://hoankiemchessteam. Bandcamp. Com/.

Formatted for the make noise morphagene. This reel consists of a spliced breakbeat. The final splice is the whole loop without any splices. Trashy drum kit, recorded by me, re-sequenced with elektron octatrack and played through a crappy speaker.

Several submitted soundtracks to a video of a can of devil's foot ginger beer being poured into a pint glass. Soundtracks by tweakerray, matthew shapiro, sleeper's tomb, sam turner, and his wired moves. Formatted for use in the make noise morphagene: https://makenoisemusic. Com/modules/morphagene. See video at:https://youtu. Be/deu7euml4l8.

Recorded by peter speer. Formatted for use in the make noise morphagene. Footsteps over ice and snow. Recorded in stereo on a zoom h6, december 17, 2018 in asheville, nc. This reel has been divided into 24, evenly spaced 4-second splices. I've found some great textures through playing the reel back at 1x speed, with gene-size, morph, slide and organize modulated by sequencers, random cv and cycling lfos. Time stretching the reel also leads to some fantastic new environments. Enjoy!.

Formatted for use in the make noise morphagene. This is another reel made in the modular using the new intellijel plonk, which is amazing for microsound but also really jagged edges. My interest in this module was as far from anyone else's haha. This is one of the most fun to play with, especially when sending modulation into every input!.

Created by divkid for use in the make noise soundhack morphagene. There are dry-only, fx-only, and mix versions of this reel in the pack. See it in action at https://youtu. Be/rk4ufmfcouc. Patch walkthrough. The patch starts with the qu-bit chance providing discrete random values (sample and hold) going into an instruo harmonaig. This takes the stepped random voltages and quantizing them to a given scale. I put in the notes c d eb f g ab bb which is a c natural minor scale, the relative minor of eb major (for anyone that's curious). However like most of my modular work i didn't actually tune the oscillators to anything specific. So treat the scale as a pattern of intervals not a set of specific notes. The quantized notes then form 4 voice chords giving us a root, third, fifth and seventh cv output that will be diatonic following the scale pattern, meaning the third will be major or minor, the seventh major, minor or dominant and the fifth natural or diminshed to suit the scale. With the 4 quantized outputs on the harmonaig these all go into the four oscillators on the synthesis technology e370 quad morphing vco. Each of the e370 oscillators are in the basic morph xy mode using the built in rom b set of wavetables. Wavetables are modulating by various mixes of the befaco rampage, mutable instruments tides, wmd multimode envelopes and music thing modular turing machine. The modulation sources are mixed and split with multiples and mixers. These modulating wavetables then go into a bubblesound vca4p where i'm using 4 mk1 intellijel dixie oscillators all un-synced and free running with sine wave lfos. Each lfo freely fades the voice in and out of the vca4p. As this is unsynced there's no regard to pitch changes linked to changes in amplitude and the swells. I find splitting the gate/rhythm from pitch regarding sequencing to be a freeing and interesting way to work that's not available on traditional instruments. This is just a simple application of that idea with the lfos fading freely unrelated to the other modulation or sequencing of pitch. The sound then goes from the vca4p mix out into a befaco mixer and praxis snake charmer which the output section of the larger case and i'm sending a 'pre' auxiliary out into my fx case. The dry sound first goes into the erica synths fusion delay / flanger vintage ensemble which is giving me short modulated delays giving vibrato like sounds and pushing the input level and overdrive gives us some warmth and grit that thickens up the sound and also fills in the gaps left by the free running lfos pulling quieter sounds and compressing in the on board tube. This then outputs to the feedback 1 bit multitap delay module which has it's delay chip pushed to longer times for some added crackle and noise. I'm using the two delay taps for a shorter and longer delay with little feedback to mix the dry sound for a generally noisier and smeared version of the input. This then goes into the xaoc devices kamieniec with it's on board lfo as slow as possibly for a mildly resonant phase shifting. This goes into mutable instruments clouds set to sew random grains slowly and randomly which are pitch shifted up 2 octaves to fill out some high end flourishes against the closed chord voicings at the core of the patch. Finally this goes into a long lush reverb from the halls of valhalla card in the tiptop audio z-dsp. The stereo fx chain and the mono dry signal are mixed in the befaco hexmix and recorded as a mixed stereo file. I'd consider this to be the main 'reel'. However i split the dry signal and the fx only wet stereo signal and recorded those at the same time so you can choose which reel to use and experiment with dry/wet or blended sounds from this patch.

Cine camera noise (loopable).

sigil reel 2: percussion. Created by nathan moody, formatted for use in the make noise soundhack morphagene. This is one of two morphagene reels made from one-of-a-kind handmade electro-acoustic instruments and found objects created by sound designer and musician nathan moody, an outgrowth of his 2018 album, "the right side of mystery. ". This reel is focused on percussive, inharmonic content from found objects and one-of-a-kind handmade instruments including metal table tops, perforated steel gongs, stretched springs, steel tubes, a drum made from packing tape, shakers made of tin cat food lids, and much more. They were struck with rubber mallets, carbon fiber rods, drumsticks, and woolen tympani mallets. They were recorded with a variety of microphones (sennheiser mkh50, dpa 4061, audio-technica at4050, shure sm57 and beta 52a), through awtac channel amplifier and neve 511 preamps. The hits are gritty, raw, and harmonically complex often with long decays, holding up well to varispeed manipulation, decay-tail looping, and filtering. For more information about nathan moody and the sounds and instruments used on this reel, visit nathanmoody. Bandcamp. Com and music. Noisejockey. Net.

Ambient reel for the makenoise morphagene. These sounds are recorded from a nord modular g2. The reel is dual mono, each channel has a different sound.

Created using my eurorack system and formatted for use with the make noise morphagene. Remember to rename the files "mg1. Wav", "mg2. Wav", etc. Before loading them onto the micro sd. Enjoy! :).

Electro-magnetic field readings from a number of devices around the make noise shop. Created and formatted for use in the make noise morphagene. Demonstration video: https://youtu. Be/yzwbox6hk4g. Https://makenoisemusic. Com/modules/morphagene.

Various power tools.